Aerobatic teams by Richard Ward

By Richard Ward

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They were writing not primarily about an internal conflict between separate parts of the self, but about a feeling of stigma and the fierce reaction to it. 29) Hawthorne, for all his subtlety about personality, was still centrally concerned (in The Scarlet Letter [1850] and elsewhere) with guilt and the internal conflict between passions and conscience. Crane was not. With Crane, the moralistic seduction novel, which had dominated the novel of the poor for a century, came to a screeching halt. More largely, the novel of “conscience” or “moral character”—seduction as well as Alger’s rags-to-riches—was finished with Crane.

He also returns to the illicit drugs and now illicit sexual fantasies of his adolescence, buying dope from a neighbor kid and lusting after a teenage friend of his daughter. American Beauty also suggests a second quest to escape from status. Just as Lester has left his job, his daughter, Jane, and the kid next door, Ricky, will drop out and run away, leaving the provincial popularity-driven world of suburban high school—in which they are both unappreciated—for the adventurous and cosmopolitan city.

Humiliation and Writers of the New Classploitation Though we might expect to, we do not find sustained shame theory or “trauma literature” written by the socially and economically oppressed in mid-nineteenth-century America; either the nineteenthcentury poor and oppressed simply had no voice, or, like the former slaves who wrote abolitionist narratives, they generally had to pitch their voices moralistically to reach upper-class Northern Protestants. 31 Friedrich Nietzsche suggested that Christianity was a slave morality—that it issued from the socially oppressed.

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